Discussion #4: Disability tropes

For our final discussion post, we asked our contributors the following question:

Which are your least favorite disability tropes?

Here were their insightful answers:


Kayla Whaley:
My least favorite disability tropes may also be the most common (at least in my experience), which is precisely why they’re my least favorite. These tropes are some of the only representations of disability people see, which is very dangerous. After all, the media we consume greatly impacts how we view the world, so seeing these tropes only reinforces ableism and ignorance.

The first (though these aren’t ranked in any particular order) is that of the disabled saint. The pure, innocent, good little cripple. These characters serve largely as inspiration porn for both the audience and the other characters. Think Tiny Tim. It shows the ablebodied that those of us with disabilities are perfect despite (or perhaps because of) our tragic disability. So if we do anything outside those ideas of “goodness”, it’s quite a shock for the ablebodied around us. I can’t tell you how many times I’ve cursed or talked about drinking with friends and have gotten actual gasps and nervous giggling, because if I’m in a wheelchair, I must be a saint, right? I must fit into their tiny, preconceived box of “good”.

The second is the disabled villain. Interesting how the two most common tropes dealing with disability are polar opposites and neither come even close to reality, huh? There are so many examples of the disabled, disfigured, disgusting villain: Darth Vader, Captain Hook, innumerable weekly baddies on shows, etc. The (typically visible) disability serves as a cue to the audience that this character is one deserving of your revulsion and fear. Yeah. That’s definitely a message I want sent to the world.


Marieke Nijkamp:
Apart from the whole disabled character as inspiration (see inspiration porn), one of the tropes I hate most is the magically healed disabled character. The one where, at the end of the quest or story, the crippled character finds himself able to walk again because he’s learned to be nicer, or the blind character finds herself able to see because she was willing to sacrifice herself for her friends. After all in real life, everyone wants to be healed/disability makes you incomplete/if you only try hard enough…?

Because that’s the implication of such story lines. That disability equals something incomplete at best and more often something that’s morally reprehensible. It implies that only if you learn how to overcome that, only if you learn you’re too be generous, you’ll be healed and happy and be able to reach your full potential. (And secretly, that’s what we all must want.) Heavens forbid you’re happy just the way you are.


s.e. smith:
Obviously, magical cures are a big frustration for me–the disability that is magically fixed to further the plot, the disabled person stripped of her identity as a disabled person by a cure (and usually so appreciative of being saved from the eternal suffering and torment that is disability). This narrative positions disability as something tragic and terrible that needs to be fixed, and sometimes as something a character should be ashamed of–only after the disability is cured does the character become whole.

I also really loathe one-note depictions of disabled characters, where the character becomes consumed by the disability and doesn’t have any other qualities or characteristics. This is often compounded by another trope, such as the super crip or bitter cripple, two other depictions of disability that also make me gnash my teeth in frustration. These one-dimensional depictions aren’t authentic to real experiences and they also contribute to ableist attitudes in society.

Disability-as-educational-tool is another trope that should have been taken out back and shot long ago. Disabled people are human beings, not object lessons or props for character advancement. If a disabled character is being used to educate other characters, give them some kind of motivation, or teach a Very Special Lesson to other characters and/or readers, that character is being abused. Every time this kind of depiction of disability comes up, it reinforces the idea that this is the role of disabled people in society, to teach and educate the people around them, rather than to live as just another person navigating a sometimes complex and always diverse environment.


Maggie Desmond-O’Brien:
In my opinion, one of the most damaging disability tropes is the idea that a disability can be “healed” through sheer force of will, without treatment. That instead of the infinitely more difficult task of living with the disability, you can simply eliminate it in one fell swoop by being “tougher” or not buying into the “system.” My experience with this has been mostly in the mental illness arena, which is tricky–some acute mental illnesses really do pass with time. But others, such as certain types of depression, bipolar disorder (my own disability), and schizophrenia, tend to be lifelong battles. You’ll have good days and you’ll have bad days, you’ll have days where you accept it and days where you don’t, but the truth is that it’s never going away and you just have to deal with it–no matter what pop culture tells you.


Corinne Duyvis:
My first pet peeve is the disabled relative–sibling, parent or child–who only exists to further the main character. The disabled character rarely has an actual personality or plot line of their own, and does not get to have a normal, complex familial relationship with the abled character; instead, they exist to provide angst or obstacles, or to make the abled character look sympathetic and heroic for taking care of them. Sometimes both! Remember: disabled people are fully-rounded people, with lives and passions of our own, not merely bit parts in abled people’s lives.

My second pet peeve is the ~magical~ disabled person, who often holds–or is–the clue to saving the day. They’ll be the only person with a magic ability, or, in a world where these are commonplace, their ability will be the most special or powerful. Examples include Dinah Bellman from Stephen King’s The Langoliers or Little Pete from the Gone series. This trope can also be used without any supernatural aspects, in which case the disabled person will have savant-like abilities such as Kazan in the film The Cube or Kevin Blake from the TV series Eureka. This trope bugs me because it’s so Othering; the disabled character is something to be ooh-ed and aah-ed over, feared or worshipped, set apart, instead of just being a regular person dealing with their own crap alongside the rest of the cast.


Kalen O’Donnell:
My least favorite disability trope? Yeah, that’d have to be ‘character has a deep dark secret – turns out he/she is bipolar, or else someone close to them is’. Sure, usually this one is trotted out with the best of intentions, as our heroes learn or express by the end of the story that its nothing to be ashamed of or they love and accept them in spite of it, etc, etc. But a book is more than just its climax or last three chapters. If a story makes an impression on a reader, its the whole book that’s going to stick with them, not just the shiny red bow that wrapped everything up all nice and neat at the end. And so while the author may have hoped their story would impart the idea that a bipolar disorder is nothing to be ashamed of, to any reader who can actually relate to that, they might actually just be confirming that ‘yup, people are ignorant about this sort of thing and there is a reason to keep it a deep, dark secret….at least unless and until you meet that special enlightened person who loves and accepts you anyway.’

So how about we see more bipolar characters who are living with it with grace and dignity, neither hiding it nor flaunting it. Who don’t shy away from discussing it with the romantic interest if and when it ever becomes relevant, and is comfortable enough with it to refuse to be belittled or patronized by people who don’t know what the hell they’re talking about? That’s a trope I could get behind.


Kody Keplinger:
I’m forever frustrated by the “damaged disabled person” trope – wherein the disabled character is a brooding, broken character, scarred both physically and mentally, etc etc. I see this way too often, and it makes me so angry. Where are all the happy disabled people, yo?


What about you, dearest readers? Any thoughts on the above tropes, or do you particularly loathe a trope that hasn’t been mentioned?

Maggie Tiede: Popping Pills: Mental Illness Medications in YA and Why They Matter

Maggie Desmond-O'BrienMaggie Tiede is a teenaged writer and book blogger out to change the world, one word at a time. She was diagnosed with bipolar I and obsessive-compulsive disorder when she was seventeen. She lives in northern Minnesota, United States, North America, Planet Earth, where she is currently at work on a novel; and probably would like to be your friend.

She’s previously written about mental illness in YA here.


Minor spoilers for Revolution by Jennifer Donnelly, Bleeding Violet by Dia Reeves, and Silver Linings Playbook.

About a year ago, I was in the hospital. I remember hoping I’d be out by the 4th of July so my family could celebrate the holiday at home, instead of staying in some cramped hotel room near the psych ward so they could visit me. Through group therapy and visits with the ward’s psychiatrist, I was on best behavior. (I was, in fact, out by the 4th.) I remember the overwhelming guilt and shame I felt at ending up in the hospital in the first place. If I’d been strong, I wouldn’t have needed help. If I’d been strong, I could have made the horrible thoughts of hurting myself, and hurting others, go away. If I’d been strong, I wouldn’t have needed the medications that the nurses handed me with little Dixie cups full of water twice daily. If I’d been strong.

My bipolar I disorder, and my obsessive-compulsive disorder: before my fateful two-hour drive to the emergency room in the closest big city with a psych ward, I believed these things were weaknesses to be eliminated by sheer force of will. Pills were for pussies, I told myself. Which was why, prior to the hospital stay, I had slowly been reducing my dose of Risperdal, the primary medication that managed my terrifying manic highs, without telling anyone, until I was hardly taking anything at all. The two or three months I managed to get by on the reduced dose were enough to convince me: My psychiatrist is lying. I don’t need medication. I’m fine. I can beat this. Until, of course, I couldn’t.

It’s taken me months to get my medications stabilized, but it’s happened, and I’m happier and healthier now than I’ve been since I was fifteen years old. But, looking back, I can’t help but wish that I’d been able to come to terms with the “weakness” of taking the medication I need to be well sooner. And it’s hard not to lay some of the blame for my attitudes at the feet of the books I love.

Though there are countless others, two of my favorite YA novels, in particular—Revolution by Jennifer Donnelly and Bleeding Violet by Dia Reeves—are unfortunately guilty of the same mental illness trope: that someone is “just not themselves” on medication, that they feel like they’re swimming through syrup, or that they are somehow buying into the “system.” In both cases, the protagonists—one severely depressed and one schizophrenic, respectively—end up tossing out their pills as part of their character arc, liberating themselves from the negative effects of their mental illness in the process.

Contrast this with the movie Silver Linings Playbook, in which Pat, the bipolar protagonist, initially makes similar arguments—that he’s bloated and dull on medication—but by the end of the movie, reaches health and happiness by taking medication and making life changes. Why can’t we see more of this in YA?

It’s frustrating to see mental illness treated as just one more way to stick it to the establishment, instead of as the very real spectrum of disorders that it is. Attitudes can’t change until writers with mental illness make their voices heard, and write their own stories. When we do, it will change lives.